Strangers on a Train, 1951 – ★★★★½

#17 in the Reverse Hitchcock project.

One of Hitchcock’s most realised classics, this ‘murder swap’ tale has been much parodied and mimicked since release, notably in the loose comedy remake ‘Throw Momma From The Train’ and in TV shows like ‘Columbo’.

Robert Walker, as psychopathic Bruno Anthony, gives his best performance here. A troubled soul in real life he was hard to cast effectively and aside from the Judy Garland romance ‘The Clock’ he has never really clicked with me on screen. Here he is the perfect example of chilling menace.

Farley Granger, as tennis star Guy Haines, wishing to be free of his nasty wife Miriam, is weaker and less decisive, not taking the proposed plot that seriously until Anthony takes their conversation further from a discussion to completion. Granger was not a great actor (although Hitch had used him before, in a similarly weak role, in ‘Rope’), but he does well enough here.

‘Strangers on a Train’ is full of sharp dialogue and show-off shots (the reflection in Miriam’s glasses, the nonchalant pop of a child’s balloon, the merry-go-round, the tennis match where just one head isn’t following the ball), and has a building sense of horror throughout.

I still class it as one of the director’s masterpieces and find it stands up well today.

Vía Letterboxd – loureviews

About Louise Penn

Writer, reviewer, fan. View all posts by Louise Penn

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