Monthly Archives: June 2016

Disney’s Aladdin (Prince Edward Theatre)

 

aladdin

On entering the auditorium of the Prince Edward Theatre, the curtain is flying carpet themed, and during the overture you realise this is going to be a show of many, vibrant colours, an Arabian splendour.

‘Aladdin’ was a Disney film from 1992, which notably had Robin Williams firing on all cylinders as the Genie, and here the huge frame and personality of Trevor Dion Nicholas brings this pivotal role to life, as he introduces the setting and the story at the top of the show.

genie

Aladdin himself, played by Dean John-Wilson, is  a little bland for my taste, although he has the physique and now and then his singing hits the spot (more so in ‘Proud Of Your Boy, a Menken-Ashman song which didn’t get included in the film, than in some of the wilder and more vibrant numbers).  As Princess Jasmine, Jade Ewen (a former Eurovision entrant and Sugababe, although neither are mentioned in her resume) , is good and feisty, but I didn’t sense any real chemistry between her and John-Wilson, while their big duet ‘A Whole New World’ was rather upstaged by the magic carpet they are flying on during the number.

The big spectacle closes Act One, in the catchy and fun ‘Friend Like Me’, in which Nicholas leads a whole troop of dancers doing ballroom, acrobatics, and eventually tap in a cheeky 42nd Street pastiche, all set in a cave lined with gold leaf.  Modest and understated, this isn’t.  As this is a Broadway show brought to the UK, we get lots of references which are uniquely British: in the Genie’s first scene, he pulls out an umbrella with the Union Flag when he is looking for the lamp, there is a call and response routine which uses Bruce Forsyth’s catchphrase, and there is a brief nod to ‘Strictly Come Dancing’, as well as a Tommy Cooper joke at the expense of Aladdin’s fez before his transformation into ‘Prince Ali’.

This is a fairytale writ large, with lots of costume changes, magic special effects, and an amusing trio of pals for Aladdin replacing the monkey of the original film.  There are hissable bad guys too, in the shape of the vizier Jafar and his sidekick Iago (who was a bird in the film, I think).  They resemble Paul Daniels and Teller which added to the amusement for me, and they are both absolutely fine within the context of this admittedly thin plot.


The Go-Between (Apollo Theatre)

This new musical by Richard Taylor and David Wood takes its inspiration from the novel by LP Hartley (although many of the audience may be more familiar with the Joseph Losey film which starred Julie Christie, Alan Bates, and the young Dominic Guard).

This is a story of growing up, of first love, of grown-up ‘games’, of memories, of regrets, and about the stuffiness of the world in which young Leo Colston (‘my real name is Lionel, but don’t tell anyone’) finds himself when he goes to stay with his wealthy schoolmate Marcus and his family (mother, father, brother Dennis, and sister Marian).

We first meet Leo as an old man, fifty years on from his idyllic summer vacation, finding an old chest of memories and treasures in a dusty attic, and the moment of opening brings back the ghosts of the past of the Maudsley family, their servants, their friends, and the farmer Ted Burgess.  The young Leo is from poor stock and is overwhelmed by the convention of his surroundings, standing buttoned up and sweltering in his winter clothes until Marian plans to buy him a more fitting summer garb.

The only full song in the score, ‘Butterfly’, is sung by Crawford as older Leo while young Leo (last night, a marvellous Luka Green) parades his new suit of Lincoln Green, and it is an emotionally soaring moment – the singing might not be in as peak form as in Phantom days, but it fits with the character, and in fact Crawford, always on stage, always seeing when he saw when he was thirteen, and sometimes even interacting directly with his younger self, more and more urgently as act two strides towards the tragic conclusion, carries the show’s heart.

Leo becomes a ‘Mercury’, a messenger boy, a ‘postman’, first innocently taking a verbal message between the injured war veteran Trimingham and the object of his affections, Marian (Gemma Sutton, who previously appeared in ‘Gypsy’), and then, more dangerously, taking letters and messages between Marian at the great Hall and Ted, the tenant farmer who had been previously dismissed as ‘someone we don’t know socially’ by Mrs Maudsley.

The social gulf between Marian and Ted is accentuated even in the early scenes, where the dreadfully snobbish Marcus tells Leo not to leave clothes on the chair, but to throw them on the floor, ‘because that’s what Henry [the servant] is for’.  By the time the honour of the Hall is tested in the ‘gentlemen v tenants’ cricket match we know exactly where both sides stand, and why Leo, bored alone while Marcus is isolated by illness and keen to please the girl he is besotted by, gets embroiled in the forbidden love affair.

The Go-Between

Picture credit: Helen Maybanks.  Samuel Menhinick as Marcus, Luka Green as Leo.

The acting throughout this show is top-notch: Crawford is superb and your eyes might often drift to him, while you wonder what you would say to your own small self where you able to do so.  Sutton is good as the conventional miss who wants to break out from her restrictive dresses and the family tradition which means she cannot marry Ted, but has to marry Hugh Trimingham.

As Trimingham (‘nothing is ever a lady’s fault’), Stephen Carlile is excellent, keeping the stiff upper lip even when it becomes fairly clear he knows what is going on between the furtive lovers, tapping out a cigarette in a servant’s ashtray, and calmly answering Leo’s questions about the fickleness of women. Issy van Randwyck is the frighteningly icy Mrs Maudsley, although she may veer towards the pantomime at times.

The musical accompaniment is from one sole piano, played by Nigel Lilley.  This is supplemented at various points by the cast’s singing voices, which are beautifully arranged and performed, at times with their ‘Remember’ refrain a little reminiscent of ‘A Little Night Music’.   The voices are in Leo’s head but they are also living and breathing the moment he picks out a prop from the chest – his diary, a cricket bat, a ball, a branch of belladonna.

As farmer Ted, Stuart Ward is rough at the edges, but attractive enough to tempt the young Marian who has been surrounded all her life by stuffed shirts and the traditions where the men retreat to their port after dinner, and where she is expected to marry well and without complaint.  Ted offers her an escape from that, but it is an escape that can only be furtive and physical, which Leo starts to realise while remaining confused about the ways grown-ups believe (his discussion with Ted about the meaning of ‘spooning’ is as funny as it is toe-curling).

The Go-Between

Photo credit: Helen Maybanks.  Stuart Ward as Ted Burgess.

I liked the lighting in this production, and the way that a limited set became something different – a tailor’s shop, a statue, a farm, a cricket field, a church – often by a resetting of chairs or the use of the cast to provide details such as the straw stack Leo slides down prior to his first meeting with Ted.   This only misfires slightly in the climactic scene where Marian’s secret is discovered, which is ‘revealed’ by the cast pacing around with umbrellas.  The show does take a while to get going, and the pace throughout is probably slower than most other musicals running in the West End, both young and old, but it is definitely worth seeing.

Direction is by Roger Haines, and design by Michael Pavelka, Tim Lutkin, and Matt McKenzie.

Thanks to Theatre Bloggers and Stage Door for providing the tickets.

 

 


Jane Eyre (Northern Ballet at Richmond Theatre)

I have been following Northern Ballet since the 1980s, especially through the years in which Christopher Gable, and then David Nixon, have been at the helm, and through the change from Northern Ballet Theatre rebranded as Northern Ballet.  It still has the dramatic focus very much at its heart, but with the ballet on an equal level, too.

Back in 2002 I saw NBT’s production of Wuthering Heights, with Charlotte Talbot as Cathy and the late Jonathan Olliver as Heathcliff.  It had all the power and the passion of the source Brontë novel.  Will Charlotte’s classic novel fare as well as her sister Emily’s?

The ballet of Jane Eyre (sumptuously scored by Philip Feeney) starts with Jane being discovered on the moors by the Rev St John Rivers, and taken to recover with his sisters.  She starts to recount her story, and we go back to the graveside where the young Jane passes to the care of her cruel Aunt Reed and her bullying cousins, their dancing portraying her anger and their indifference.

Passing through Lowood Institution and on to Thornfield, the adult Jane (Dreda Blow) is a fiery, passionate creature and her dancing focuses on both the drama and the technical needs of the story.  Rochester (Javier Torres) was initially not working for me, but his scenes with Jane from the fire scene onwards were well judged, tender, and vibrantly portrayed, making me think of both Macmillan’s choreography of Romeo and Juliet and the original NBT production of Dracula, which also used Feeney’s music.

Bertha Mason’s wild harpy with fire red hair, the twittery and fussy Mrs Fairfax, and the graceful Adele, were all highlights in a production which may have stumped those unfamiliar with the novel (and this version excised Mason, instead having Grace Poole appearing injured at the ball), while the additional of a male chorus of ‘D men’ didn’t quite work – Jane is a character who seeks and thrives in solitude, and she is never alone on stage – but this production is an emotional powerhouse with some excellent staging choices (especially around the scenes of fire) and some wonderful pieces of choreography from Cathy Marston.


is there room for me to sew?

Quilting, Reading and the Movies

Jaime Rebanal's Film Thoughts

Cinema - moving around life one film at a time.

The Case for Jeanette and Nelson

"Whaddya gonna do? I love her. I think she loves me." -Nelson Eddy on the Jack Parr Show, 1960

STARDUST AND SHADOWS

Opinions on Classic Hollywood , B Movies, Grindhouse, SF film , Classic Horror, Film Noir, Books, and related subjects by Canadian film guy TERRY SHERWOOD. (This site is not affiliated with author Charles Foster and his book Stardust and Shadows.)

The Wonderful World of Cinema

This blog is all about cinema, movies and stars of every decades. It's wonderful!

Movie classics

Thoughts on older movies, especially those from the 1930s to 1950s.

Hiss and Tell

Featuring Gryff, the angry diabetic cat, and the humans who serve him

TESSA BARRIE'S LOST BLOGS

Random Blogger from Jersey, Channel Islands, UK. Not Noo Jersey, USA. Expect the unexpected. Life's too short to be niche.

[insert title here]

just one of many things i'm still trying to figure out

buchanblog

A trip down Memorex lane

The Phantom Frame

Information about the creative works of Gareth Preston

West End Blog

Bringing you independent, honest, experienced reviews of current theatre shows. We believe theatre is something truly magical and can be enjoyed by everyone.

Archive Television Musings

"To waste one second of one's life is a betrayal of one's self! I wonder what's on television?"

The Actor's Advocate

In defence of acting

Ritchie Blackmores Rainbow

Ritchie Blackmore's Rainbow - the ultimate resource

So much content, so little time...

Just another review blog

The Film Colony ♛

with Alicia Mayer

Spectacular Attractions

film in all its forms

is there room for me to sew?

Quilting, Reading and the Movies

Jaime Rebanal's Film Thoughts

Cinema - moving around life one film at a time.

The Case for Jeanette and Nelson

"Whaddya gonna do? I love her. I think she loves me." -Nelson Eddy on the Jack Parr Show, 1960

STARDUST AND SHADOWS

Opinions on Classic Hollywood , B Movies, Grindhouse, SF film , Classic Horror, Film Noir, Books, and related subjects by Canadian film guy TERRY SHERWOOD. (This site is not affiliated with author Charles Foster and his book Stardust and Shadows.)

The Wonderful World of Cinema

This blog is all about cinema, movies and stars of every decades. It's wonderful!

Movie classics

Thoughts on older movies, especially those from the 1930s to 1950s.

Hiss and Tell

Featuring Gryff, the angry diabetic cat, and the humans who serve him

TESSA BARRIE'S LOST BLOGS

Random Blogger from Jersey, Channel Islands, UK. Not Noo Jersey, USA. Expect the unexpected. Life's too short to be niche.

[insert title here]

just one of many things i'm still trying to figure out

buchanblog

A trip down Memorex lane

The Phantom Frame

Information about the creative works of Gareth Preston

West End Blog

Bringing you independent, honest, experienced reviews of current theatre shows. We believe theatre is something truly magical and can be enjoyed by everyone.

Archive Television Musings

"To waste one second of one's life is a betrayal of one's self! I wonder what's on television?"

The Actor's Advocate

In defence of acting

Ritchie Blackmores Rainbow

Ritchie Blackmore's Rainbow - the ultimate resource

So much content, so little time...

Just another review blog

The Film Colony ♛

with Alicia Mayer

Spectacular Attractions

film in all its forms

%d bloggers like this: