Michael Clark Company (Barbican Centre)

Michael Clark used to be the enfant terrible of modern dance, whether dancing with The Fall in trousers with the seat missing, cavorting around with Leigh Bowery, or producing, now and again, really superior pieces of work such as ‘O’, ‘Mmm’, and fun pieces such as ‘Because We Must’.

clarkbarbican

Now, at 54 years of age, his company returns to the Barbican with a new show called to a simple, rock ‘n’ roll … song.    These days Clark is much more mainstream, settled with a partner who is as much part of the establishment as he is (Stefan Kalmar, who runs the ICA), and with this show, he offers a sad but powerful goodbye to David Bowie – even appearing briefly himself (knowingly, ending prone on the floor) during a routine set to ‘Blackstar’, a fun piece with Patti Smith music, and a fusion of sound and movement to the music of Erik Satie.

It’s good to see him back and at the top of his artistic powers, creating something which is still sexy, still punchy, still just a little bit subversive.  Although age and injury has stopped him dancing into his later years, he still has a stage presence which draws the eye, and in his company he has a number of performers we can watch for the future, especially Harry Alexander, tall, lithe and graceful.

About Louise Penn

Writer, reviewer, fan. View all posts by Louise Penn

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