Remember the Night, 1940 – ★★★★

Everybody’s favourite Stanwyck (to Letterboxders, anyway), and one I hadn’t seen until today. Putting aside the fact that bits of it remind me of ‘The 39 Steps’, others of ‘Susan Slept Here’ and others of ‘Breakfast at Tiffany’s’ and ‘Mr Deeds Goes To Town’, I have to add my praise to that of the general majority.

Barbara Stanwyck is Lee, a jewel thief (must be something in the air, as yesterday I was watching a film with Myrna Loy in a similar profession), and here she is teamed for the first time of three with Fred MacMurray, here playing a prosecuting attorney, John, who succeeds in getting her trial postponed for decision til after Christmas, and ends up taking custody of her over the festive season instead.

MacMurray isn’t one of my favourite actors, but he’s very good here, and Stanwyck is in good form as the career criminal who opens proceedings in the court by watching her defence lawyer with barely-disguised amusement.

She’s no victim here, and in fact she is perhaps better than she was in femme fatale mode in ‘Double Indemnity’. Her gift for fun eventually paid off as Preston Sturges, screenwriter here, went on to write and direct ‘The Lady Eve’ for her, which gave her a chance to broaden her range.

Willard Robertson’s speech as the flowery defence chap is hilarious, and even more so when you note in real life he gave up a career in law for the stage. Sterling Holloway, always fabulous, and with the weirdly musical voice, is fun as a cousin of MacMurray’s. ‘Snowflake’ Toones plays John’s slightly slow servant but he isn’t quite as daft as he first appears. And Beulah Bondi ages up yet again to play MacMurray’s mother.

This is a romance, a festive one, and a courtroom drama, and succeeds at all of them. What a happy discovery!

Vía Letterboxd – loureviews

About Louise Penn

Writer, reviewer, fan. View all posts by Louise Penn

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