Tag Archives: london palladium

Honeymoon in Vegas (London Palladium)

The London Musical Theatre Orchestra presented a special concert version of ‘Honeymoon in Vegas: The Musical’ last night at the London Palladium, conducted by the composer, Jason Robert Brown.

honeymoon

Based on the 1992 film, this musical teams a rather silly story with an old-fashioned but punchy score from Jason Robert Brown, who also penned the lyrics, which are sometimes clever but now and again straying into the area of corn (a ballad ‘Out of the Sun’ provoked giggles across the auditorium with its SPF references and it didn’t quite hit the funny/touching vibe I suspect the song should have).

The book by Andrew Bergman is slight but keeps the action moving, and even in a concert version, images of Vegas showgirls and parachuting Elvii (a definite showstopping number referencing the stance and vocal inflections of the King) are effortlessly conjured up.

Arthur Darvill’s Jack opens up proceedings with one of those delightful list songs, ‘I Love Betsy’, which references all the things his girlfriend likes (“she likes hockey, no, I swear / she likes guys with thinning hair’) while celebrating his love for her.  He puts the song across well, with good engagement with the audience while acting out the text.  His singing was a nice surprise as well, with an old-timer charm.

Betsy is played by Samantha Barks who is slinky and playful, but stronger in her solo numbers (especially ‘Betsy’s Getting Married’ which sizzles and fizzes) than in her duets with Darvill.  Having said this, the whole cast feel more relaxed and comfortable in their roles and in the concert format as the show progresses, and everyone essentially does a good job.

Gangster sleazeball Tommy, who sees in Betsy a resemblance to his dead wife, is played well by Maxwell Caulfield, who makes up for a lack of singing ability with the right characterisation of a wealthy man who thinks he can buy happiness but eventually knows when he’s been bested – by Betsy!  Rosemary Ashe does her best to steal scenes as the ghost of Jack’s mother, while Simon Lipkin is both the Bublé-like lounge singer and the hip-shaking leader of the flying Elvises. 

This show, directed by Shaun Kerrison, is a lot of fun, with the kind of music that makes you want to tap your feet and click your fingers, while the songs move on the action just as they did in the golden age of stage musicals.

The London Musical Theatre Orchestra, now in its second full year, is packed with excellent musicians who can do anything from put on the jazz to provide a beautiful melody.  Their vision is to have fun with music, and also to develop new professional players, and they do both with aplomb.

Thanks to Premier PR for arranging this night out.


Cats (London Palladium)

It’s been twenty-five years since I last saw this show live, at the Winter Gardens in Blackpool in 1988 or 1989, and I have very strong and happy memories of the musical.  I also have a soft spot for both the Original London Cast Recording and the film version which appeared in the late 1990s.

Some tweaks have been made to make the show more up-to-date – a new tap sequence for Jenny-Any-Dots’ beetle tattoo is fun, but the switch of Rum Tum Tugger from sexy Tom to annoying bling-laden rapper is a mis-step.

‘Cats’ is largely about the dancing, and it doesn’t really need star names to keep it going – there are some amazing young performers showcased here in the various solos (although with five or six understudies on this afternoon I can’t say for sure who was playing Jemima (I think Alice Jane), Rumpleteazer, Old Deuteronomy, Skimbleshanks (Dane Quixall?), Bombalurina (Cassie Clare) and others – if anyone knows for sure or needs to correct assumptions here please do).  I do want to give a nod to Paul F Monaghan who works hard as both Bustopher Jones and a very enjoyable Gus/Growltiger, Callum Train as Munkustrap and Joseph Poulton who is a dazzling Mr Mistoffelees.

The pre-opening buzz has all been about the Pussycat Dolls singer Nicole Scherzinger, who plays the supporting role of Grizabella, and who has the ‘big number’, Memory.  Although she can certainly hit that big note, I felt her voice was lacking in body in the rest of her role, and frankly, her vocal style doesn’t do it for me.  I’ve been brought to tears before by this cat and her song, but not here.

The rubbish dump set might not revolve as it did in the old days, but the cats climb, stretch and emote as they ever did, and the ensemble singing in the numbers ‘Jellicle Songs for Jellicle Cats’, ‘Old Deuteronomy’ and ‘The Ad-dressing of Cats’ is excellent.  The special effects might not look as spectacular as those in other shows – yes, Wicked, I am looking at you – but the hydraulics, trapeze work and lightning effects are fun.

I would recommend this show to new and old fans alike, and those of you who have feline friends at home will find yourself smiling in recognition at the antics portrayed within this show.


Scrooge (London Palladium)

Back in 1992, in Manchester, we saw the Leslie Bricusse musical ‘Scrooge’ in its first transfer to the stage, adapted from the Albert Finney film. It starred the late Anthony Newley, a big personality with a big voice, who was endearingly grumpy in his nightgown and cap on his way to redemption.

Fast forward twenty years and it is time to make my acquaintance with this show again, this time starring that performer of perennial cheerfulness, Tommy Steele. No-one has made more appearances at the London Palladium than this chirpy chap, and of those appearances, one previous triumph was that of Ebenezer Scrooge himself. And now he’s back …

Early November may not be the perfect time for such a seasonal show to make its return to the London stage, but in its joie de vivre and Christmas spirit, ‘Scrooge’ achieves the impossible – to give the audience a light heart and a smile with which to go back out into the world. To critique Steele’s performance would be pointless, as he has been playing much the same part for years; even when he’s grumpy before the ghosts of Marley and others arrive there is a twinkle in his eye.

Interestingly, Marley was played by Barry Howard back in 1992 and again now. He has a different wig, and shows more of a stately age than two decades ago, but he’s still very good.


ENTERTAINMENT REALM

Amy Steele on music, books and other (mostly alternative) entertainment

London Life With Liz

Lover of good food, good wine and all things London-related - theatre, music, history and Arsenal FC being some of my particular passions. Join me on my travels around this amazing city and beyond...

Forgotten Television Drama

Uncovering the lost history of British TV Drama

reviewsrevues

Book reviews, author interviews, music reviews. A revue of reviews!

Being Curious

reflections on living with life

%d bloggers like this: