Tag Archives: susan ann sulley

The Human League (Royal Festival Hall)

I’ve been a fan of The Human League since the early 80s: not their Don’t You Want Me phase as I was only nine years old then, but not that long after when The Lebanon was in the charts in Spring 1984.  Quite soon after like many other teenagers I sang along to the whole of ‘Dare’ on cassette in my bedroom many, many times; I had posters of the band on my wall; and loved their big selling singles Louise and Human.

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I lost them around the time the 90s hit, but eventually came back and now, finally, have seen them live, so it’s been a long wait.

As with anything else which teeters on the ‘nostalgia’ tag (although I know they hate that and they haven’t really, technically, been away) you never know what you are going to get, but the moment the set appeared with the pulsing beat of the opening song, Being Boiled (a showcase for Phil Oakey alone, as it dates from the days of The Human League #1, when they were a kind of Yorkshire Kraftwerk electro outfit) and the video projections kicked into life, I knew we were in for something special.

Watch a bit of ‘Seconds’

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The songs from ‘Dare’ were liberally sprinkled through this set: The Sound of the Crowd, Seconds, Open Your Heart, Love Action, The Things That Dreams Are Made Of.  There were those big singles I loved, too, plus Mirror Man (which I had forgotten, not having heard in years) and, of course, Don’t You Want Me, with the neat conceit of having one of the backing band playing an instrumental introduction of it which just got the crowd more fired up.

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Joanne Catherall and Susan Ann Sulley are the decorative side of the band, and an integral part of their trademark sound, and they were showcased well on their own with One Man In My Heart as well as (particularly Susan) providing energy to keep the audience going throughout.  Their costume changes were slightly exceeded by the parade of Phil’s designer wardrobe, but it all adds to the spectacle.

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Can I just pause to say how fantastic Phil Oakey’s voice still is?  It’s been said in some quarters that he isn’t one of the best popular vocalists, but I have to disagree: he has such a recognisable vocal style that fits the band’s songs perfectly; and I was so pleased that we got to close with Together In Electric Dreams, a song which I have always loved, even if the film it was written for is now hopelessly outdated.

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Now slightly north of 60 years old this singer has unbounded energy and enthusiasm, and he is a total showman.  It is always a pleasure to see an act coming across so professionally, and The Human League are one of the most professional and accomplished acts I have seen.  Compare last night’s work with something way back like The Path of Least Resistance from nearly forty years ago and the look may be different (a sleeker hairline these days, but that’s no bad thing) but the voice hasn’t changed much.

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I haven’t danced so much in years, and loved every minute.  How could I have waited so long?  My husband (not really a fan) enjoyed himself too, and yes, first thing we did on the way home was order a CD copy of ‘Dare’ to replace that tired out 80s cassette!

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I wanted to give a nod to London band Ekkoes who were the support act, right at the start of their career.  Their cover of the late Laura Branigan’s Self Control was excellent and I liked their own song Last Breath as well.  I hope they go places and it was a bonus to see them, even if I would have rather liked (for 80s nostalgia again) to see Blancmange, who are doing some of the other dates on the tour as support.

You can investigate Ekkoes a bit more at http://ekkoes.com/.

Here’s the twenty song setlist from The Human League: Being Boiled, The Sound of the Crowd, Sky, Heart Like a Wheel, Filling Up With Heaven, Open Your Heart, Soundtrack to a Generation, Seconds, The Lebanon, One Man In My Heart, Human, Louise, Stay With Me Tonight, Love Action, Tell Me When, Keep Feeling (Fascination), Mirror Man, Don’t You Want Me, The Things That Dreams Are Made Of, Together in Electric Dreams.

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Photographs taken by Louise Penn and Colin Penn.  Video clip by Louise Penn.

 

 


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